The Black Tapestry

I found myself in a dark void, surrounded by a primordial and formless space. At first, I thought I had lost all my senses. Everything was deep black and soundless and there was no gravity. I was a floating consciousness with no home. This is limbo, I thought — or maybe I just knew and didn’t think any thoughts. I seemed to understand things without processing them. This is intuition. This is clairvoyance. This is my third eye. Out of the void, a bolt of fabric came into view. It was also black and began to slowly unroll itself before me. A velvety, onyx-colored cloth expanding to the edges of my perception, until it became what I knew as my sole existence. All at once, an invisible hand started embroidering symbols and archetypes and allegories. I read the fabric from left to right — stitch by stitch — I was witnessing my life from birth to now. An orphrey of multi-dimensional imagery. Each symbolic stitching embodying a multitude of history and emotion and language. And the colors — such vivid hues of violet, orange, crimson and pink. It looked like something my long-lost ancestral aunts in Mexico might have sewn. But even though the colors were bright and festive, I was quickly overtaken by grief and discouragement. By now, the invisible hand had finished its work midway through the fabric, leaving almost exactly half of it blank. What lay before me was an unfinished tapestry so deeply embedded with neglect and loss and scarcity — all of which were at this moment so foreign to me. I wanted out of this vision, and hurtful reminder of where I had come from. My shapeless consciousness grew hot with shame, and pulsated with anxiety that spread outward into nothing. This must be how stars die, I thought. No, This is how stars die. I knew. Then came a gentle cooling. I was reminded — telepathically — that what I was seeing was my past. The other half of the tapestry still remained to be embroidered. They said it would be stitched by my own hand and with only the values and experiences that I wanted for this life. Symbols of love and animals and friendship and nature and art and freedom and magic, and these simple words do no justice to the rich power that lies behind them, because just like the embroidery they are a prism. Multi-faceted and pure light. An energy of such high vibration that it could only belong to the Gods. And as I began to accept this as truth — in the core of my being — my sadness gracefully morphed into rapture and gratitude and passion. This was an invitation to stand at the helm of my life. And I took it. And my own black velvet tapestry is just one of infinite tapestries eternally unfolding across the universe — a divine display of all the soul journeys that embark onto unknown space and create something beautiful.